Art and Museums
Beauty's Legacy, Material Opulence and Personal Excess: Gilded Age Portraits
With the amassing of great fortunes came the drive to document the wealthy in portraiture, echoing a cultural pattern reaching back to colonial times. A brilliant generation of American and European artists rose to meet that demand. The exhibit examines those portraits of famous society beauties and powerful titans of business and industry. more »
Dramatic, contemplative, violent, beautiful, dangerous and sublime: Turner and the Sea
The Battle of Trafalgar is his most complex tribute to Lord Horatio Nelson, of whom he was a great admirer. The falling mast bears Nelson's white vice-admiral's flag, while the code flags spelling d-u-t-y – both the last word of his famous Trafalgar signal and the last coherent thought he spoke ('Thank God I have done my duty') – are coming down from the mainmast. Men try to save friends and foes alike from a darkly heaving sea, in which a tangle of floating rigging resembles a monster’s head. more »
Pretty Girl: Girl with a Pearl Earring makes a stop at The Frick in New York, the last leg of its American tour
Val Castronovo writes: Girl's head, shoulder, garments and accessories stand out against a dark, solid background, which is blackened now but once was translucent green. The effect is rather like the effect of looking at this painting in an otherwise empty room — just as everything is stripped away in the Oval Room so that our attention is laser-focused on Girl, so everything is stripped away in the background of the painting itself so that we zero in on the figure’s physiognomy and accoutrements, which signal mercantile wealth and prosperity. more »
Another Reason to Visit New York City: Wedding Bed Covers, Tapestries, Quilts and Period Clothing
Jill Norgren writes: Interwoven Globe is a large exhibition begging hours of a visitor's attention. Walk through it first without reading the explanatory signs. Once familiar visually with all that the exhibition has to offer, begin again, studying the signs and considering the objects as expressions of the global artistic exchanges made possible by the golden age of European maritime navigation. more »