Art and Museums
Envy: One Sin, Seven Stories On The Hudson, Fairfield and Westchester
Connivers for riches or for the love of someone promised to another are sure to be ruined by evil envy, just as the person envied will win out, get the prince, win the princess. As we read fairy tales we see ourselves as we are and as we should be. Envy is interpreted by multimedia artist Adrien Broom in photographs and life-sized scenes from fairy tales, the stories of passion, evil and redemption. At the Hudson River Museum, don't over look the Nybelwyck House or the Red Grooms Bookstore installation. more »
War Horses: Helhesten and the Danish Avant-Garde During World War II; Frida Kahlo, Diego Rivera and Mexican Art Tradition
The Helhesten and the Danish Avant-Garde exhibition exploring how and why European modern art was made during the rise of Fascism, includes 120 paintings, works on paper and sculptures by artists. The second exhibit showcases the rich artistic traditions of Mexico and the passionate and patriotic pride of its artists, the exhibition features masterworks by Kahlo and Rivera along with paintings, sculptures and works on paper by other influential Mexican artists involved in the country's political and social struggles. more »
Tricks For Fashioning the Body: An Intimate History of the Silhouette at Bard
The exhibition presents the many devices and materials that women and men have used to shape their silhouettes from the seventeenth century to today, including panniers, corsets, crinolines, bustles, stomach belts, girdles, and push-up brassieres. The exhibition will also look at how lacing, hinges, straps, springs, and stretch fabrics have been used to alter natural body forms. In men's fashion, the exhibition explores how padded jackets provoked arched torsos; how calf enhancers, stomach belts, and codpieces were worn; and how variations on these enhancements continued into the nineteenth century and beyond. more »
The Critique of Reason — Challenging the traditional notion of the Romantic artist as a brooding genius given to introversion and fantasy
The Critique of Reason: Romantic Art, 1760 –1860 comprises more than 300 paintings, sculptures, medals, watercolors, drawings, prints, and photographs by such iconic artists as William Blake, John Constable, Honoré Daumier, David d'Angers, Eugène Delacroix, Henri Fuseli, Théodore Géricault, Francisco de Goya, John Martin, and J. M. W. Turner that expanded the view of Romanticism as a movement opposed to reason and the scientific method. more »
