Art and Museums
From Pittsburgh and Paris, America Collects 18th Century French Painting
On view with works originally held by Joseph Bonaparte and the Marquise de Pompadour, are decorative canvases by François Boucher and Jean Honoré Fragonard, portraits by Jacques Louis David and Élisabeth Louise Vigée Le Brun, landscapes by Hubert Robert, and still lifes by Jean Siméon Chardin and Jean-Baptiste Oudry. more »
A New Era for French Art: Poussin, Claude, and French Drawing in the Classical Age
"The Grand Siècle saw artistic development unlike any before it in France," said Colin B. Bailey, director of the Morgan Library & Museum. "The visual arts, literature, music, drama, and architecture all prospered. Poussin, Claude, and French Drawing in the Classical Age explore the extraordinary advances in the field of drawing by some of the true masters of the period, advances that provided the foundation for all French art that followed." more »
Degas and the Millinery Trade, High-fashion Hats and the Women Who Created Them; My Aunt's Creation
The exhibition is the first to examine the height of the millinery trade in Paris, from around 1875 to 1914, as reflected in the art of the Impressionists and French milliners. From the start of the Third Republic until the outbreak of World War I, there were around 1,000 milliners working in what was then considered the fashion capital of the world. Degas and the Impressionists' representations of millinery became a central theme within the broader avant-garde ambition to showcase the diversity of Parisian modern life. more »
Ocean Liners: Glamour, Speed and Style at the Peabody Essex Museum
Founded in 1799 by sea captains and merchant traders, PEM has been actively collecting art and design related to ocean liners since at least 1870, building holdings of paintings, prints, posters and models that today number in the thousands. The V&A, one of the world’s leading institutions of art and design, began collecting ship models and technology patents to improve Britain’s commercial and manufacturing advantage in the 19th century, when it was known as the South Kensington Museum. In the 20th century, the V&A acquired ocean liner posters and ephemera, ceramics, textiles, metalwork and furniture, all with the aim of representing good design. more »