Art and Museums
The Body Transformed: The Purpose and Power of Jewelry; "The urge to adorn ourselves is now nearly universal"
New York City's Metropolitan Museum of Art exhibition (Floor 2, Gallery 999, Iris and B. Gerald Cantor Exhibition Hall) opens with a dramatic installation that emphasizes the universality of jewelry — precious objects made for the body, a singular and glorious setting for the display of art. Great jewelry from around the world will be presented in a radiant display that groups these ornaments according to the part of the body they adorn: head and hair; nose, lips, and ears; neck and chest; arms and hands; and waist, ankles, and feet. more »
Charles Dickens's Christmas Carol, Being a Short Story of Christmas, and a Viewing of The Man Who Invented Christmas
Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. And, if you want to make a full weekend of Dickens' story and have an Amazon Prime membership among others, view The Man Who Invented Christmas. Dickens is portrayed by Dan Stevens, of Downton Abbey fame. The program is also available for a minimum fee if you don't have one of the memberships. more »
Silvia Weidenbach's Jewelry on Display at the Victoria and Albert In an Exhibit Titled Visual Feast
Housed in a suite of galleries in the Victoria and Albert Museum in London, the Rosalinde and Arthur Gilbert Collection includes masterpieces from four areas of European and British decorative arts: silver and gold, enamel portrait miniatures, micromosaics and gold boxes. Weidenbach consciously engages with the extravagance of these objects: her box is encrusted with the same abundance of diamonds and mother-of-pearl as their historic counterparts, posing questions of how this aesthetic functions today. more »
Ridiculing Human Limitations, Odious Interests and Ill Manners: Seriously Funny, Caricature Through the Centuries
Seriously Funny aims to contextualize recently acquired French lithographs within the larger comedic graphic tradition in Europe and America by installing them alongside prints, drawings, paintings, and sculpture from the 16th to the 21st century. With its jocularity often mistaken for triviality, caricature has long been misunderstood as inferior to artworks created in the classical Grand Manner, the large and imposing academic easel paintings that artists were trained to emulate. more »