The Canadian Museum of Civilization has introduced a sculpture of a life-size bronze wolf in a copper canoe which it commissioned from internationally acclaimed Namgis First Nation artist Mary Anne Barkhouse.  Titled ’namaxsala, which means "to travel in a boat together" in the Kwakwala language, the permanent sculpture is located outside in the lower pond beside the Museum's Grand Hall. The piece is inspired by a story that the artist learned from her grandfather, Fred Cook, who helped a wolf cross a treacherous stretch of water in a boat. ’namaxsala speaks to Barkhouse’s deep environmental concerns and the need for humankind’s respectful cooperation with the natural world.

A member of the Royal Canadian Academy of Arts, Barkhouse is a descendant of a long line of internationally recognized Kwakwaka'wakw artists, including Ellen Neel, Mungo Martin and Charlie James. "I was fortunate to grow up in a family that had strong connections to land, literally from coast to coast. The adventures that my grandfather had while he was logging or fishing in the Pacific Northwest, though located at a very different point in history, have resonance today for the values that they speak to regarding survival, stewardship, unlikely alliances and independent thought," said Mary Anne Barkhouse."

"We are delighted to have this striking work by Mary Anne Barkhouse as a permanent feature transforming the Museum's Waterfall Court," said Mark O’Neill, President and CEO of the Canadian Museum of Civilization Corporation. "In addition to its inspiring symbolism, this remarkable work draws on the continuity of Kwakwaka'wakw artistic traditions and connects across the generations with the model totem pole inside in the Grand Hall, carved by the artist's great-great grandfather, Charlie James."

Barkhouse’s choice of copper, a material long used by Kwakwaka'wakw artists, also connects with her ancestral traditions, while the bronze of the wolf speaks to her contemporary artistic practice.

Pages: 1 · 2

More Articles

• Although the Summer Travel Season is Drawing to a Close, A Worldwide Caution is Still in Effect From the State Department; Hong Kong Update
• The Bodleian Library and Worldmapper Create a Cartogram Depicting Trump's Tweets and Countries that Dominate US President's Foreign Policy
• Collection of 20th Century Souvenir Buildings at the National Building Museum: A Reminder of Travel and a Record of Popular Architecture
• *GAO Reports on Testing Security Screening at US Airports: TSA Has Limited Assurance that Security Operations is Targeting the Most Likely Threats
• Spirits by Deborah Masters at the Museum of Arts and Sciences in Macon
• Memories of Seventies Dublin: As the Decade Moved On, the City Changed and We Were Changing With It; Not All Changes Were Welcome
• Iberia: Reminders that Power Can Vanish and What Turns Out to Be Important is How You Can Live Today
• Christmas Presence: Jewelry, a Musical Powder Box, a Bike, See's Candy and Double Acrostics
• The Durrells in Corfu Return With Season Three Based on Gerald Durrell’s Trilogy with a Keeley Hawes Interview
• The Making of Masterpiece Theater's The Miniaturist and Petronella Oortman’s Dolls' House in Amsterdam's Rijksmusum